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jcus nation

Worried at 4:44 AM

 I don’t know what it is. I just feel that something big is going to happen. There’s so much shit in my head right now that it feels as if my brain stem is going to disintegrate at any moment…

Posted 9 months ago
(During a time when I didn’t go to any of my classes in college), A friend asked me how I would feel when we would have a reunion in the future when everybody else was working and I was still doing the same thing then. I replied bluntly that I won’t have time to attend a reunion because I will still be hung over in the hours that the certain “reunion” wil take place.

— Medschool can suck my dick!

# School boring classes absent i hate college

Posted 9 months ago
artandsciencejournal: Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones artandsciencejournal: Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones artandsciencejournal: Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones artandsciencejournal: Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones artandsciencejournal: Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones artandsciencejournal: Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here.  - Lee Jones

artandsciencejournal:

Peter Carrington

Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states, 

“I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.”

Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 

- Lee Jones

Reblogged 9 months ago from artandsciencejournal 16,823 notes